Skip Content
Tracy Keith

In a creative field largely dominated by non-Māori artists, ceramicist Tracy Keith (Ngāpuhi) is always happy to educate others about how Māori view and use uku (clay).

Tracy is kaiako for Maunga Kura Toi - Bachelor of Māori Arts at Te Wānanga o Aotearoa in Hastings and is one of our leading Māori ceramicists.

He was part of a panel discussion about uku in contemporary practice, with fellow Māori ceramacists Stevei Houkāmau (Ngati Porou, Te Whānau-ā-Apanui, Rangitāne) and Cora-Allan Lafaiki-Twiss (Ngāpuhi, Tainui, Niue) at the Breaking Ground Ceramics Symposium in Tāmaki recently, and says events such as that provide good opportunities to share their experiences with a largely non-Māori audience.

“They can have a look at what other cultures are doing. We had Asian clay workers there and a manuhiri from Australia, so it was a good blend of different cultures, but they led with Māori so that was good,” he says.

“I think it's quite vital that we share our rangahau. We need to practise what we preach and so if we're not in the studio, we're out getting involved in talks and panels and things like that.”

They also present the chance to debunk some myths about Māori and clay work, he says.

“It’s that old chestnut, and it needs to be put to bed. Why are Māori using and making ceramic vessels and sculpture when it wasn't really in our whakapapa.”

“I was a bit cheeky and just said to them, you know, I use knives and forks and no one’s pulling me up about that. But understanding the history and whakapapa of clay helps me practice a holistic attitude towards the whenua, how we treat it and its reaction to our treatment of it. They’re reminders of our relationship to the whenua.”

Alongside teaching his tauira, Tracy has also been working on his own practice and creating new works for exhibitions scheduled later in the year.

“I'm showing with Ngā Kaihanga Uku collective at the Suter Gallery in Nelson in August and a solo exhibition in September, so there’s a few things happening.”

He also used the symposium as an opportunity to acknowledge the role Te Wānanga o Aotearoa plays in the arts world.

“We’ve (Te Wānanga o Aotearoa) done a lot for education, for educating our people. We have our ups and downs, but I think we've done some really good stuff for our people.”

Find out more about our Toi Māori (Arts) programmes

 Back to news & events

Published On: 2 July 2024

Article By: Comms Team



Other Articles

  • 31 July 2025

    Whānau fuelled success at Te Wānanga o Aotearoa

    Nadia MacDonald’s journey through Te Wānanga o Aotearoa’s Diploma in Small Business and Project Management highlights the power of whānau support, Māori values, and practical learning. Discover how she balanced work, study, and parenting to achieve success and uplift her community.

  • 24 July 2025

    Tamariki once were cherished

    Te Wānanga o Aotearoa’s Te Manawahoukura Rangahau Centre releases Taku Waipiataata, Taku Hei Tāwhiri, a powerful report calling for a revival of gentle, respectful Māori parenting. Discover how tūpuna child-rearing practices can transform whānau wellbeing and uplift future generations.

  • 24 July 2025

    Te Wānanga o Aotearoa chief executive Evie O’Brien announced as Te Kura Toroa

    Te Wānanga o Aotearoa celebrates its 40th anniversary by bestowing chief executive Evie O’Brien with the enduring title of Te Kura Toroa. Discover the cultural significance of this new role and its reflection of leadership, kaitiakitanga, and Māori values.

  • 23 July 2025

    Māori musician's reo Māori journey leads to wānanga kaiako role

    Jordyn Rapana, known as Jordyn With A Why, shares her inspiring journey of learning te reo Māori to raise her tamariki in a reo-speaking home. From immersion study to becoming a kaiako at Te Wānanga o Aotearoa, discover how music, whānau, and culture shaped her path.